A few examples of appraisal values for
THE DESCENT FROM THE CROSS

• SADAO WATANABE (JAPANESE, 1913 - 1996)
  SADAO WATANABE (JAPANESE, 1913 - 1996) 28 ½" x 23 ½" paper Deposition of Christ or The Descent from the Cross, 1973. Stencil print on paper, signed and dated lower right, numbered 44 / 70 lower left, hinge mounted and matted under glass in frame, 44 ½" x 39" overall. . Provenance: private collection, Pittsburgh, PA; acquired from Kanda's Art Gallery Contemporary Japanese Prints & Custom Framing, in Tokyo, in 2002-2003.
• PAINTING, THE DESCENT FROM THE CROSS
  PAINTING, THE DESCENT FROM THE CROSS Italian School (18th century), "The Descent from the Cross," pen, gouache, and ink wash on paper, signed "Tiepolo" lower left, sheet (unframed): 18.75"h x 13.75"w. Provenance: The Estate of David Pleydell-Bouverie, grandson of the 5th Earl of Radnor (Glen Ellen, CA). Note: All proceeds to benefit the Bouverie Preserve of Audubon Canyon Ranch (Glen Ellen, CA).
• REMBRANDT "THE DESCENT FROM THE CROSS"
  REMBRANDT "THE DESCENT FROM THE CROSS" 2ND PLATERembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "The Descent from the Cross" depicting Christ being lowered from the cross after his crucifixion, 1633. Second plate, sixth state printing. Literature: Hollstein, B.81 II, pg. 46-47 (text), 79 (plate); New Hollstein, plate 119, pg. 189-191 (text), 217 (plate). Provenance: Titus Fine Art, Beverly Hills, California; Private Minnesota Collection. Unframed; height: 22 in x width: 16 in. Framed; height: 33 in x width: 28 in. Condition: The print is in generally good condition. There are no rips or restorations. When inspected under a UV light there were no issues. The sheet is slightly toned. There is a crease running horizontally along the center where it appears the print was possibly folded. There is some light soiling along the margins. Some undulation to the sheet. The print is hinged to the mat in six places; along all four corners and along the middle of the right and left margins. Due to the way the sheet is hinged, the verso has not been inspected. The print is floated in the frame. There is some wear to the mat, some threads are loose along the extreme margins. There is an area of possible moisture on the bottom right hand corner of the mat that does not affect the print. The artwork is framed; some light wear to the frame; frame behind glass.
• A carved Nottingham alabaster plaque,
  A carved Nottingham alabaster plaque, depicting the descent from the cross within a 19th Century gilt frame, 18cm high x 15cm wide
• (2) MEXICAN FOLK ART RELIGIOUS SCULPTURE
  (2) MEXICAN FOLK ART RELIGIOUS SCULPTURE & CHALICE(lot of 2) Mexican Folk Art painted pottery decorative items, comprising: (1) chalice, having pierced bowl, central female figure, birds, flowers and hanging beads, marked HC Mexico underfoot, approx 12.5"h, 12.5"w, 6"d; (1) figural sculpture, depicting multiple religious scenes, including Christ crucified, the descent from the cross and the Ascension into heaven, all housed in floral frame, approx 13"h, 20"w, 2.25"d; 11.25lbs total **Provenance: From the estate of Dr. Jill Mutschler-Fontenot, PHD (1962-2017)**
• ENOCH WOOD WHITE STONEWARE BLUE-GROUND
  ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS'ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS', circa 1777, the foreground inscribed 'Enoch Wood Sculpt.', based off a painting in the Louvre titled, La Descente de Croix (1697) by Jean Jouvenet, in white relief with Christ being lowered from the Crucifix, at the top of the Cross is a scroll inscribed 'JESUS OF NAZARETH KING OF THE JEWS', reserved on an enameled blue ground, h: 20.25 in., framed Provenance: Sara & Samuel Laver Collection. Skinner, Boston, 14 July 2018, sale 3115B, lot 225. Jeffrey Milkins Collection no. 927. Catalogue Notes: For a later example from Lady Charlotte Schreiber's Collection, noted as by Enoch Wood & Sons, circa 1825, see the Victoria & Albert Museum, accession no. 414:1306-1885 (Schreiber number - Sch. II 553). Also reference Jonathan Horne, 'A Collection of Early English Pottery', no. 540; and Henry Hartland, 'Letter to the Editor: Enoch Wood Plaque', Apollo, June 1954. A third octagonal example is set in mortar in the Enoch Wood family vault. In the family Bible Enoch Wood writes, "Within this [Family] Vault there is deposited a large Basso Rilievo of the Descent from the Cross modeled by myself, also a Crucifix modeled at 14 years old." Literature: Diana Edwards, 'English Dry Bodied Stoneware' p. 198.
• VAN RIJN, Rembrandt, (Dutch, 1606-1669):
  VAN RIJN, Rembrandt, (Dutch, 1606-1669): ''The Descent from the Cross'', Etching, sight size 21'' x 17'', signed in the lower margin and dated 1633, framed, 34'' x 30''. CONDITION: Please call for specific condition inquiries. Tape repairs to tears visible verso
• An ivory relief in Gothic style, in
  An ivory relief in Gothic style, in three registers, showing the Descent from the Cross, the Mocking and Entombment of Christ, 25.5cm/see illustration
• ITALIAN SCHOOL OLD MASTER RENAISSANCE
  ITALIAN SCHOOL OLD MASTER RENAISSANCE PAINTING DEPICTING THE DESCENT FROM THE CROSS, CHRIST'S CRUCIFIXION SCENE. 48 1/2"H X 68 1/2"W (W/ FRAME)Italian School old master Renaissance painting depicting the Descent from the Cross, Christ's Crucifixion scene., Oil on canvas laid on panel. Ex. collection: Dr. James Charbonnier, Taylor University since ca.1953. Provenance: from Taylor University's Dr. Neil and Mrs. Renee Compton Collection. Proceeds benefit Taylor University endowed scholarship funds. Dimensions: 48 1/2"H x 68 1/2"W (w/ frame)
• Rembrandt Etching titled "The Descent
  Rembrandt Etching titled "The Descent from the Cross": second plate. 16"x 21" etching 28 ?" x 34" frame We believe this to be a Rembrandt etching that was made from the original copper plate which was part of the "Millennium Series" done around 2000. The etching appears to be in good shape along with the frame.
• REMBRANDT VAN RIJN (1606-1669): THE
  REMBRANDT VAN RIJN (1606-1669): THE DESCENT FROM THE CROSS Etching (possibly laid down on paper). 20 3/4 x 15 1/4 in. (image sight).
• Rembrandt etching (Rembrandt Harmensz
  Rembrandt etching (Rembrandt Harmensz Van Ryn, Dutch, 1606-1669), The Descent From the Cross: By Torchlight (Bartsch 83; Hind 280), signed in plate "Rembrandt f. 1654", etching and drypoint on laid paper, plate 8-1/4 x 6-1/4 in., page 8-3/8 x 6-1/2 in.; modern wood frame. Surface abrasions, paper and glue residue verso corners, small loss to paper at edge bottom left and upper right, possible mildew damage at top, floated with archival tape.